Alisa Majsak Majsak itibaren Bhortek, Maharashtra 425501, Hindistan
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Wow. Good stuff. I was kind of expecting some of what was revealed in the end, events prior made it obvious. But the other stuff, also a bit surprising but at the same time I could tell it was coming. I love how Childress builds his characters. You really get into Daniel and Tim and their friendship. Daniel seems so naieve and really just ends up in the wrong place at the wrong time throughout most of the book.
It has been said that Jane Smiley can write about anything and make it fascinating and universal. Private Life bears that out, taking us deep into the life of one woman, Margaret Mayfield, married to cosmologist Andrew Jackson Jefferson Early. The story moves from the end of the US Civil War in 1883 with Margaret as a girl, through to 1942, just past Pearl Harbour and the US's entry into World War Two. As always with Smiley, the work is meticulously researched and richly detailed with much of the sensual aspects of life during that time presented, from the fabrics Margaret's mother sews into dresses, to the details of its setting between Missouri and a San Francisco naval base. This is a very female, domestic sort of history, allowing the grand events of World War II, the great San Francisco earthquake, and even the scientific controversies as Einsteinian physics begins to challenge Newtonian physics sit as a minor backdrop against the real plot points such as the deaths of Margaret's brothers and father, the hanging she witnesses but can't remember, or the brief but intensely powerful moments when Margaret holds her dying baby: As she looked at this face, she grew more and more interested in it, more and more curious about it, more and more drawn to it. She felt it change before her eyes from a strange face to a known face, and more than that, a face she could not stop conning. She stroked his forehead and the crown of his head as gently as she could and felt that new sensation against the skin of her hand, the smooth warmth--not of a baby, but of her baby. (185) Although Margaret is content for a while to take care of Andrew, pandering to his quirks and delusions of grandeur, his true limitations become clear to her when he feels disappointment that their son isn't the perfect genius he'd plotted would come from the genetic mix of his genius and her "ordinariness". What Margaret realises in that shockflash of pain and longing that Alexander brings her - a tragic gift of insight, is that she isn't ordinary at all. Margaret lives a life of inner reflection and observation -- a quiet unfulfilled full of sexual and economic repression. She is moved by the delicate artwork of her Japanese friends the Kimuras, and drawn to the wild, wordliness of her sister-in-law Dora and Pete Krizenko/Moran, a dashing but suspect Russian who has won and lost many fortunes. But she herself remains stable and safe, reflecting the perceptions she has of the truth of character that sits below the flashy surface: In his stories, suffering and death were hardly worth remembering--what was improtant were the telling details. The tiniest, most fleeting things was preserved, while routine disaster was forgotten. The effect was to bathe him in a golden light--a light that shone from her eyes, a light that shone brightly and steadily even though she knew he was untrustworthy, mysterious, old, full of vanity, a failure i the larger scheme of respectable success. (447) Margaret is full of bitter regret, but she still lights up the lives of those around her, providing a presence and perception that allows her to move under the skin of those around her and see truths that others might miss. Andrew never gives her credit for her own innate wisdom, and she ends by seeing him as infinitely cold, but her own life provides a beacon and warmth for others around her. Though Private Life is far from a happy book, the subtle beauty of its perceptions and the richly drawn tapestry of the characters that revolve around Margaret and her intensely private life provide the reader with a powerful and utterly engrossing work. Review first published as Book Review: Private Life by Jane Smiley on Blogcritics.
Aridjis is an excellent writer. You get completely inside Tatiana's head, but when I was finished, I was so glad to live in my own head. Told in the first person, the ex-pat narrator's obsessive thoughts and reclusive ways are a little suffocating, but her descriptions of everyone and everything she encounters in Berlin are interesting. In fact, Berlin, East and West, becomes the "character" she has the closest relationship to. Her loneliness is distressing, but not to her. Maybe she'll be more connected back home in Mexico.
What I appreciated most about this book was that someone from a higher socio-economic class was interested in just trying to live the lifestyle of someone in the Lower Class and realized that it's REALLY HARD. The complaint against Ehrenreich gets a lot of guff for not going far enough, but I don't see anyone else trying it...
I found it to be not too different from all those other immigrant books, but with a slight twist when the main character goes back to Ireland. While the story was engrossing, I found the writing style to be stilted - not that easy to follow. I also found her behavior back in Ireland a little hard to believe. I'm not sure what all the fuss was about over this book.
I think I would have liked this book more had I read it before I heard all of the fuss about it, or if I waited until about 15 years had gone by and I forgot there ever was fuss. Still, it was okay.