Çin'de İdeogramlar engelerle dolu sağ elerle, sol elerle tutuşmuş, birbirine karşılık veren, sonsuza dek kavuşmuş elerle dolu karşılıklı elerle tetikteki elerle, meşgul elerle dolu sabahlarla dolu kapılarla dolu bulutlardan damla damla düşen suyla dolu bir kıyıdan ötekine giden sandalarla dolu toprak setlerle dolu kavşaklarla H. M.
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Çin'de İdeogramlar
shura-87
Loureiro, 2615 Calhandriz, Portugal
I was hooked on this. I was even reading it at work, while waiting for my very slow computer to process the info it was being fed. Saiyuri's sincere voice throughout the novel contrasts with the ugliness and cruelty of the geisha world, from Mrs Nitta to Hatsumomo and later Pumpkin. She is not weak by any means, the subtle strengthening of her character and her refusal to be hardened throughout the novel binds her to your heart. The isolation of a geisha's life stuck out for me. Viewed possessively by men and viewed warily by other women, the geisha is alone in her world. Even other geishas should be viewed with some suspicion, given the constant competition over mizuage price, adoption by an okiya, and snagging of a wealthy patron. Geishas are presented as different from prostitutes, yet the reader can't help but think that geishas are similarly enslaved to their customers. Cultural acceptance is on the geisha's side, but the factors of beauty, desire, wealth and most importantly, submission, still form the basis of her occupation. The ending was a little too tidy for my taste, I would rather a more conflicted end. I suppose I can't complain about a happy ending in this case however, given that it is based on a true story.
2022-10-29 03:09
palaciosdesign
Niederbösa, Almanya
loved it. but not all of it. parts were exquisite, other parts were boring.
2022-10-24 19:18