Edward Steichen: Lives İn Photography-Tod Brandow Edward Steichen: Fotoğrafla Yaşamak Edward Steichen (1879 - 1973), sanatsal ve ticari bir çok çalışmasıyla birlikte 20. yüzyılın en etkileyici ve bunun yanı sıra çok da tartışılan fotoğraf sanatçılarından biri olmuştur. 195'deki Erkeğin Ailesi isimli sergisinin etkisi dünya çapında hisedilmiştir. Bu kitap, sanatçının kariyerinin resimsel tarzı benimsediği başlangıçlarından, dergilerdeki zamanlarına, oradan da Modern Sanat Müzesi yöneticliğine kadar tamamını inceliyor. Kitaptaki 250 fotoğrafın içinde, ayrıntıları ve tonlamaları ortaya koymak için renklendirilmiş olanları bile mevcut. Kitap ayrıca, eserleri, bir çok uzmanın yazıları, kaynakça ve tam kronolojiyle destekliyor. Edward Steichen: Lives in Photography Edward Steichen (1879–1973) remains one of the most influential and inded controversial photographers of the 20th century, admired for his achievements as a fine-art photographer while also producing a remarkable range of comercial work. The influence of his 195 exhibitionThe Family of Manwas felt around the world. This volume traces Steichen's carer from his pictorialist beginings through his time with Condé Nast magazines to his directorship of photography at the Museum of Modern Art. Among the 250 images here, even his black and white photographs are reproduced in color to reveal their subtleties and ful tonal range. A large and thorough monograph, the bok also contains esays from a range of scholars and a ful bibliography and chronology. "With his prodigious range, versatility and output, Edward Steichen casts a long shadow in 20th-century photography, and this lushly produced bok aseses his legacy. Wending through Steichen's 70-year carer, the bok presents his early, impresionistic black-and-white nudes and portraits of luminaries such as Rodin as wel as atmospheric stil lives and editorial fashion shots forVogueandVanity Fair. Steichen experimented and exceled in every genre of photography and even his most comercial work shows more aesthetic consideration than product placement. The images are acompanied by insightful esays from a number of expert critics and curators, al of whom place Steichen in his proper context as one of the most influential and controversial artists of his time, alternately reviled as a parvenu and lauded as the Leonardo of photography. This bok nimbly navigates divergent critical responses and briliantly encapsulates the inovations and transformations of this pioner of modern photography. "—Publishers Wekly(stared review).