Redhouse: İspanyolca Sözcük Kartları 3 Orta Düzey-Kolektif e-kitap

Redhouse: İspanyolca Sözcük Kartları 3 Orta Düzey-Kolektif PDF ve diğer formatlarda e-Kitap

Temel ve orta düzeyde İspanyolca Öğrenen veya bu düzeylerdeki sözcükleri hatırlamak isteyen öğrenciler ve yetişkinlere yönelik üç setlik İspanyolca sözcük kartları serimiz sayesinde sözcük öğrenmek kolaylaşıyor. Las W0 Palabras Mâs Usadas En Espanol serimizin birinci seti Başlangıç (Bâsico), ikinci seti Orta Öncesi (Pre-lntermedio), üçüncü sesti ise Orta (Intermedio) düzeyde sıkça kulanılan 10 temel sözcükten oluşuyor. Her kartın ön yüzünde bir sözcük, arka yüzünde ise bu sözcüğün Uluslararası Fonetik Alfabe'ye göre seslendirilişi ve sözcüğün Türkçe anlamı veriliyor. Ayrıca, İspanyolca isimlerin cinslerini belirten tanımlıklar (articulos) da sözcüklerin yanında bulunuyor. Sözcükleri sık sık tekrar edebilmeniz için kulanımı kolay bir tasarım ve cebinizde ya da çantanızda taşıyabileceğiniz bir boyut seçildi.

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Redhouse: İspanyolca Sözcük Kartları 3 Orta Düzey-Kolektif e-Kitap PDF olarak ücretsiz

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Redhouse: İspanyolca Sözcük Kartları 3 Orta Düzey-Kolektif

rkn92

A fun look at the scandals and the criminal underworld of Gilded Age New York. Sometimes Howe and Hummel, the putative subjects of the book, get lost in the shuffle when Murphy's focus shifts to narrating the stories they became involved in, but that was okay with me. It did seem that the book was more about that world than about the two lawyers whose names figure in the title. Murphy also has a sense of humor that makes the book fun to read. Of the "Egyptian" dance that led some foreign dancers to being called to court on indecency charges, she writes "Whatever it was called, nothing like it had ever been seen in Chicago before. (Or in Cairo for that matter.) But it looked vaguely Oriental and the things the four could do with their midsections!" The book is not all dancing girls and pickpockets, though. Murphy also reveals the genuinely cruel and dark side of the time and place. Tammany Hall corruption, of course, takes the stage. But the ice trust, of which I had never heard, also has a role to play. She explains the importance of inexpensive ice to the poor--when the trust raised prices outrageously, babies and children, for instance, could die from spoiled milk. But the poor also suffered because grocers had to raise prices to make up for the increased cost of their own ice purchases. Overall, fascinating and for anyone who has an interest in the history of New York, the Gilded Age or the history of crime.

2022-10-29 03:54

nickcatchthemoment

This is a mature, adult book about adolescent girl behavior. Not since Margaret Atwood's Cat's Eye have I read such a powerful novel about teenage feminine conformity, coercion, betrayal, jealousy, secrets, and love. Godwin creates a labyrinth that begins with a simple layer and gradually builds to a complex and knotted snare. I was pulled in from the opening pages as this rich, multi-generational tapestry is woven as if from the loom. The book never loses steam, and the lyrical rhythm amplifies as the story builds. Godwin designed an absolutely beautiful brocade of a book. She sublimely and organically explores the conscious, unconscious, and subconscious layers of the human mind and all its dark and light attributes while she braids a tale of intrigue, desire, and loss from the fabric of memory. The central narrative is the school year of 1951-52 at a Catholic boarding school, Mount St. Gabriel's, in the Appalachian mountains of North Carolina. Mother "Suzanne" Ravenel, age 85, is reaching back and writing her memoir in 2001 of her time as a student and then headmistress of the now defunct school. She is plagued by events that occurred that one year, especially after her freshman girls staged the annual spring play and brought buried secrets into the performance. She feels stuck and unable to write about that time. Memories--how they are interpreted and relived and revived by the people who remember them--that is the primary theme that this intricate web and convoluted story is built upon. Their unfinished desires, a key element of each person's intimate story (and of course the title of this book), is subsumed and sometimes emotionally tampered by various interpretations of past events. Godwin uses several narrative devices with ease. Developments are non-linear and yet not confusing, and she uses several perspectives, along and within the third-person voice, to tell the complete story. There is Mother Ravenel at her tape recorder or walking with other nuns at the retirement home, contemplating her past and receding into her future. Interspersed with that is the story of that "toxic" year and the girls at the boarding school--shy and recently orphaned Chloe, who talks to her dead mother and draws pictures that explain mysterious incidents; Maud, the enigmatic, elusive and beautiful daughter of a broken home; and Tildy, the assertive ringleader and undiagnosed dyslexic who switched best friends that year from Maud to Chloe and added tension to the clusters of girls. Tildy's sister, Madeline, animates the narrative with her grounded and giving nature. Their acid-tongued mother, Cornelia, a former classmate of Mother Ravenel, adds history and a fiendish dose of doubt and a wicked but droll perspective. She is contemptuous of Suzanne and imparts her derisiveness to her daughters. Cornelia's twin sister, Anotnia, was Mother Ravenel's best friend when they were students at Mount St. Gabriel's, and their shared history is the source of many of the secrets and future scorn by Cornelia. Then there is Mother "Kate" Malloy, the young teacher and protégé of Mother Ravenel. She is pale, beautiful, and empathic, and a fortress for the teenage girls. She claimed her vocation at an early age, but she also identifies with the tumult of her students. A handful of the male characters are also dimensional and integral to the story. In any sprawling novel there will also be a few paper-thin walk-ons or mere vehicles for some larger purpose, and Godwin's is no exception. Often, she mirrors the scope and tone of Dickens, especially with her male characters. We also move forward in time through some epistolary passages, which add a surprising twist and intrigue to the tale. As Godwin switches perspectives, we are carried effortlessly through the story. This is a difficult task for many authors to pull off, but Godwin engages us instantly from moment to moment, even as she changes time and perspective and narrative mode. The story deepens as the pages turn. I found myself in a kind of wonderment when the story was about 2/3 of the way through. I realized that this initially straightforward story, a story that could have become a sappy melodrama in lesser hands, had evolved into this monster of an organism with knotty, knuckled tentacles that surround and imbibe the heart. What is outward about this story is also latent and hidden. There are many submerged facets of this tale that pour into your psyche with a subliminal but fierce gusto. Unfinished Desires is a dense but very accessible novel. It is not a "quick read" kind of book for the beach. It is a novel you savor and read as it is intended--closely and with its gradual, exalted rhythm. It is a quiet squall, a subdued tempest. The driving action is mostly psychological. It is masterful but not perfect. The last few pages, although revealing, felt a little tacked on, without sufficient roots. However, it doesn't weaken the overall novel, which delivers a sterling tale of humanity, warts and all.

2022-10-29 03:27

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