Semantik Akıcılık-Müge Tunçer e-kitap
Semantik Akıcılık-Müge Tunçer PDF ve diğer formatlarda e-Kitap
Semantik Akıcılık-Müge Tunçer Sözcük akıcılığı çerçevesinde semantik/fonemik ve eylem akıcılık yöntemi ile toplanmış sözcüklerin sıklıklarını belirlemek amacıyla yürütülen Dil ve Konuşma Terapistliği yüksek lisans/doktora tezlerinin semantik akıcılık ile ilgili bölümlerinin bulguları bu kitabın kapsamında yer almaktadır. Ayrıca, yaş ve cinsiyet değişkenlerinin etkileri değerlendirilip bu hesaplamalara göre semantik akıcılık normları da sağlanmıştır. Türkçe konuşan çocuk, ergen ve yetişkin popülasyonla yapılmış ve sözlü veriye dayanan bu kapsamlı çalışmanın klinik uygulamalar ve araştırmalar için önemli olduğu düşünülmektedir. Sözcük Listeleri Hayvanlar ve Yaş Grupları Sebze ve Meyveler ve Yaş Grupları Taşıtlar ve Yaş Grupları Giysiler ve Yaş Grupları Vücut Bölümleri ve Yaş Grupları Mobilyalar ve Yaş Grupları Kahvaltı ve Tipikalite Ortalamaları Yemekler ve Tipikalite Ortalamaları İçecekler ve Tipikalite Ortalamaları Meslekler ve Tipikalite Ortalamaları El Aletleri ve Tipikalite Ortalamaları Müzik Aletleri ve Tipikalite Ortalamaları Mekan ve Tipikalite Ortalamaları Mutfak ve Tipikalite Ortalamaları Banyo ve Tipikalite Ortalamaları Nesneler ve Tipikalite Ortalamaları Aksesuar ve Tipikalite Ortalamaları Doğa ve Tipikalite Ortalamaları Din ve Tipikalite Ortalamaları (Tanıtım Bülteninden)14. 0x20. 0Ciltsiz2. Hamur Çevirmen : -.
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Semantik Akıcılık-Müge Tunçer
liezelliebenberg
15020 Pozzengo AL, İtalya
I wish I could remember when I read an afterword to a book that actually helped. I must have once experienced an afterword that was smart, engaging, and made me more interested in the book. I really wish I could bring that afterword to mind; I wish I could raise it as the shining example that all other afterwords should be. But I don't remember. And maybe I've never read a good one. But then, you'd really have to ask...why the hell do I keep reading them? For more on this rant about Afterwords from authors, see my review of Fahrenheit 451. In Gentlemen of the Road, Michael Chabon does a lovely job of putting Jews into an adventure story. I'm taken unaware by that, and it's kind of fun. A delightful sort of tramping tale about double-crosses and cross-dressing and trickery. It's not my favourite of his short novels, but it was fun. Then he spends a good five pages defending his decision to write an adventure story. He talks about how he knows this is different from his previous work, and he explains why he's doing it. As if the literary wunderkind can't just write what he wants. It's boring. Writers, artists, musicians, anyone should follow whatever stylistic inspiration they can find, and if your fans don't like it, no amount of defense will help. Neither will any weak murmurings about how the golden child of letters wants some adventure in his life (take a fucking trip!) People will see that you're doing something different, something new. They might not like it, but they can't help seeing it. Considering how much Mr. Chabon has been talking about the beauty of genre fiction (since McSweeney's 10, at least!), I think his point has been made. He should feel welcome to write about whatever he'd like. His theories on literary genres will be taught and debated and discussed for years to come, and many people, will continue to buy his books--including me. I suppose I could just learn to stop reading the moment I see "Afterword."
2023-06-08 14:13
tatjanadjakova
Mulevala, Mozambik
It's a book by a lawyer who attempts to debunk Darwinian evolution. Yeah...okay. There are much better creationist apologies you can read.
2022-10-05 14:47