Şeker Portakalı (Minikitap) - Jose Mauro de Vasconcelos e-kitap
Şeker Portakalı (Minikitap) - Jose Mauro de Vasconcelos PDF ve diğer formatlarda e-Kitap
Şeker Portakalı (Minikitap) - Jose Mauro de Vasconcelos Şeker Portakalı (Minikitap) - Jose Mauro De Vasconcelos Yazarlıkta karar kılıncaya kadar, boks antrenörlüğünden resam ve heykeltıraşlara modelik yapmaya, muz plantasyonlarında hamalıktan gece kulüplerinde garsonluğa kadar çeşitli işlerde çalışan José Mauro de Vasconcelos’un başyapıtı Şeker Portakalı, “günün birinde acıyı keşfeden küçük bir çocuğun öyküsü”dür. Çok yoksul bir ailenin oğlu olarak dünyaya gelen, dokuz yaşında yüzme öğrenirken bir gün yüzme şampiyonu olmanın hayalini kuran Vasconcelos’un çocukluğundan derin izler taşıyan Şeker Portakalı, yaşamın beklenmedik değişimleri karşısında büyük sarsıntılar yaşayan küçük Zezé’nin başından geçenleri anlatır. Vasconcelos, tam on iki günde yazdığı bu romanı “yirmi yıldan fazla bir zaman yüreğinde taşıdığını” söyler. Aydın Emeç’in, güzel Türkçesiyle dilimize armağan etiği Şeker Portakalı’nın başkahramanı Zezé’nin büyüdükçe yaşadığı serüvenleri, yazarın Güneşi Uyandıralım ve Delifişek adlı romanlarında izleyebilirsiniz.
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Şeker Portakalı (Minikitap) - Jose Mauro de Vasconcelos
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Gangpor Devgadh, Gujarat, Hindistan
Paul Auster desires to be a cross between Don DeLillo and Borges, which is to say that he desires the cool surface of the DeLillo's beautfully managed tone and Borges genius for making the inane become suffused with an netherworldly sublimity. It works , at times, as in the novels that comprise the "New York Trilogy", his novel "Leviathan" and more recently his masterpiece from a few years back "Book of Illusion"; the way he uses the element of chance in his narratives can at times be one of the keener miracles of American writing. Auster, though, is a man of limited style and a set of ideas that have very nearly played themselves out, as we see here in "Man in the Dark". A small-time professor and book reviewer , recovering at his daughter's house after a horrific auto accident, spends much of his time watching movies and lying in the dark, imagining movies of his own, in this case a narrative of an alternative America that is being torn apart by a civil war. The elements here get very convoluted, and those familiar with Auster's favorite devices will sense the writer just a shade bored with his inventions and his borrowings. Narratives, real and imagined, twine together in such a way that we're supposed to ask which is real and what his false until we are brought to a relief, although the only relief to be had here is not from the novel's building tension, which is slack, but from the tedium that ensues. That's a feet for a book that isn't even two hundred pages long. I was a bit disappointed by this novel, less for witnessing the decline of someone who was once a reliable provocative writer and more because he repeats his good ideas here without grace, snap , or variation. This was the draft you're supposed to throw away,not submit to your publisher.
2022-10-29 03:48